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Hunt traces the work’s origins, as well as some of the sources of its themes and structure, including Nō drama; East Asian landscape painting; the rhythms of storytelling, chant, and song; Jungian archetypal psychology; world mythology; Buddhist philosophy and ritual; Native American traditions; planetary geology, hydrology, and ecology. His analysis addresses the poem not merely by its content but through the structure of individual lines and the arrangement of the parts, examining the personal and cultural influences on Snyder’s work.
Hunt’s benchmark study of Mountains and Rivers Without End will be rewarding reading for anyone who enjoys the contemplation of Snyder’s artistry and ideas and, more generally, for those who are intrigued by the workings of artistic composition, as well as those readers of poetry—whether ecologists, Buddhists, philosophers, or backpackers—who are interested in cultural and intellectual affairs.